Accreditation Form

34th European Film Awards
Berlin

PLEASE NOTE:

Accreditation to the European Film Awards is limited to people who have been fully vaccinated against Covid-19 or who have recovered after a Covid-19 infection – provided they do not show typical Covid-19 symptoms.

A proof of vaccination or recovery must be digitally verifiable with an EU Digital COVID Certificate – printed QR codes are also digitally verifiable.

The mask requirement and the requirement to maintain a minimum distance will then no longer apply indoors.

For more detailed and up-to-date information on traveling to Germany, as well as a current list of risk areas, please visit the web pages of the Federal Foreign Office of Germany.

1. Personal data

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2. Represented media outlet

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3. Type of accreditation

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I agree to the following Terms and Conditions of the media accreditation procedure of the European Film Academy for the European Film Awards

By submitting the accreditation form, the media representative accepts and agrees to the following:

The entered and transmitted personal data will be stored in the European Film Academy database and used to contact you in connection with the accreditation process and for information purposes concerning the European Film Awards.

Representative’s name, media outlet and country may be passed on to other accredited media representatives, to our partners, sponsors and funding institutions, as well as to the agents of the nominees and winners of the European Film Awards. Furthermore, this information may be stored in order to fulfill our reporting obligations to the funding institutions and for other statistical evaluation.

Other personal data will be deleted as soon as the purpose for retaining such data ceases to apply, i.e. four weeks after the European Film Awards took place. Notwithstanding the generality of the foregoing, data may be stored if required by Union of Member State law to which we are subject.

Data will also be blocked or deleted if a retention period prescribed by laws and regulations expires, unless there is a need for further storage of the data for the conclusion of fulfillment of a contract.

Please note that during all official events of the EFA Weekend photo and video recordings are made, which may be used in digital and/or in printed media for press information and public relations. For details please see our Privacy Policy.

Participating in the European Film Awards implies the unconditional acceptance of the above conditions.

The data protection officer of European Film Academy e.V. is Rainer Pyls. He may be contacted using the contact details provided above as well as at privacy@europeanfilmacademy.org. For further information please see our Privacy Policy.

A Sunday in the Country 2016 Poland

For the fifth time, a special edition of the EFA project A SUNDAY IN THE COUNTRY gathered a group of young film critics and journalists. Organised in co-operation with the T-Mobile New Horizons International Film Festival Wroclaw, and while the festival kicked off, the meeting took place at Fregata in Zagórze Śląskie, Lower Silesia.
The group spent the days watching movies and talking about them, and about cinema and cinephilia in general, cooking and eating together, and networking in a charming old guest house by the Bystrzyckie lake. Expert for this edition was the Dutch critic Dana Linssen from NRC Handelsblad and de Filmkrant.

On Friday the participants watched the Polish-British co-production ALL THESE SLEEPLESS NIGHTS and discussed with the director Michal Marczak who stayed for the whole weekend. They were joined by two more directors: Mike Ott, whose film ACTOR MARTINEZ (co-directed with Nathan Silver, USA) they screened next, and jury member Gust Van den Berghe from Belgium whose 2010 Cannes debut LITTLE BABY JESUS OF FLANDR the group screened on Saturday morning. After a lively discussion about art and inspiration, they watched INERTIA and then welcomed Israeli director Idan Haguel for dinner and inspiring talks about the role of the critic in a filmmaker’s career and the expectations or demands the professions have towards each other. The conversations continued long into the night.
The group was composed of twelve people from ten different countries: Ádám Csiger (Hungary), Klara Cykorz (Poland), Freja Dam (Denmark), Yael M. Danon (Israel), Mirela Delic (Germany), Grzegorz Fortuna (Poland), Iratxe Fresneda (Spain), Anja Krämer (Austria), Andreea Mihalcea (Romania), Rudolf Schimera (Czech Republic), Jelle Schot (the Netherlands) and Hannes Wesselkämper (Germany).

As a former participant said: “It is not only a weekend of thought provoking discussion of the past, present, and future of film criticism. First and foremost, it provides a unique encounter of like-minded and future friends from all over Europe.”

Other guests included Jakub Duszyński, director at Gutek Film distribution company, Monika Richter from filmPOLSKA’s critics programme “Über Filme schreiben …” (Writing About Films) and Robert Dwernicki of b88 Seed and Venture Capital.

The project was organized by the European Film Academy and New Horizons Association with the support of the Polish Film Institute, the local cultural institutes and the Krzysztof Mętrak competition for young film critics.

Accreditation Form

1. Personal data

Are you a EFA Member?

2. Represented media outlet

Company address

Contact

Media type and language

Position

Editor’s confirmation

3. Type of accreditation

Thank you for submitting the accreditation application, we will contact you shortly!

A Sunday in the Country 2016 Poland